Overview

AUDIENCExSCIENCE, taking place March 16-17 at People Inc. in New York City, will bring together leaders across media, marketing, research, and analytics to tackle the industry’s most critical audience and measurement challenges—from AI’s impact on audience definition and discovery to cross-media accountability, media quality, cultural understanding, and the future of forecasting and video currency.

1. Is there a limit to the number of submissions I can enter?
No, there is no limit to the number of submissions you can enter.

2. Is there a limit to the number of submissions my company can enter?
No, there is no limit on the number of submissions from your company.

3. Is there a fee to enter my research?
At this time, there is no fee to enter the ARF AUDIENCExSCIENCE Call for Content.

4. Where can I find submission guidelines?
Access submission guidelines, best practices and tips here.

5. Where can I find the Call for Content form?
You can find it here. Complete the form and upload it to this portal*.

6. I completed the Call for Content form – now what?
Go here to the Call for Content submission portal*.
*The ARF can only accept entries submitted through this portal. No submissions sent via email will be considered.

7. Is the Call for Content portal/username/password the same as MyARF account?
Your MyARF account is integrated into the Call for Content submission process. When starting a submission, you will be prompted to enter your MyARF credentials (unless you are already logged in).

8. I don’t have a MyARF account – what should I do?
Create one by going to the top right corner of our site and clicking on the person icon. Both members and non-members can create a MyARF account.

9. Already started your submission and want to return to the portal?
You can access the entry portal at any time, by going to “My Account” and “MyARF Submissions.”

10. Does my application automatically save?
No, your application DOES NOT automatically save.  Please continuously save your work by selecting SAVE & CONTINUE LATER, or if you are finished, SAVE & SUBMIT.

11. Can I make edits to my submission within the portal?
You can only make edits to your submission when you SAVE & CONTINUE LATER. Your submission is not considered final (and will not be reviewed) until you SAVE & SUBMIT. You cannot edit anything once you SAVE & SUBMIT, as the ARF Board of Curators will have access to the research immediately after you submit.

12. Can I enter a full paper/presentation to be reviewed?
Full research papers or presentations will not be considered. We only accept the required Call for Content form on our template through the entry portal.

13. Will I receive a confirmation email?
You will receive a confirmation email when you start a submission in the portal.

14. I keep getting errors when trying to submit in the portal, what could be the problem?
Errors often occur if you are not using a compatible browser — be sure that the browser you are using is up to date. Errors can also occur if you are logged into multiple browsers. Make sure you are not signed in with multiple windows or tabs.

15. I want to add more submissions but don’t see how to do this.
You can go back to the AudiencexScience landing page, and select “Submit Your Work” to send in another application.

16. Is there a maximum number of presenters I can include?
For a typical presentation, one to two presenters are preferred, and client presenters are highly encouraged by the ARF Board of Curators. If you are proposing a panel, workshop, or other alternative session, we suggest no more than four to five presenters.

17. What if my research is incomplete but I still want to propose the study?
We will consider research proposals with pending results. However, you must provide as much detail and information as possible within the results section of the form, so the curators can review accordingly. Submissions without any results will not be considered. Be as thorough as possible.

18. How is my submission scored?
The ARF Board of Curators thoroughly reviews your submission(s) and provides an overall score based on the following criteria:

  • Is the content NEW? Does it advance or build on existing knowledge? Have you seen this work or similar work elsewhere?
  • Does this work move our field forward?
  • Is the methodology CLEARLY stated?
  • Does the content have practical APPLICATION? Are there real business results?
  • Does the content have IMPACT? Is there proof and strength of evidence? Is there a clear demonstration of the claims?
  • Does this content truly advance our knowledge of the subject?
  • Is there a client co-presenter? (not required, but highly recommended).
  • Blatant sales pitches will not be considered and will be eliminated in the first round of review.
  • All submissions must include a completed Call for Content form on the required template.

19. When will I know the status of my submission?
You should receive notification on the status of your submission(s) no later than January 2026.

20. What happens after I get selected?
The ARF will reach out with a comprehensive list of deadlines and deliverables. Stay tuned!

21. What is the date and location of the AUDIENCExSCIENCE?
The ARF is planning to host the event in mid-March, in New York City.  This event is open to members and non-members (members receive a discounted ticket price). More details will be shared in the coming months.

22. Whom do I contact if I have any questions?
You can reach out to Sara Serpe, Events Director, at sara@thearf.org.

Have questions? Reach out to Registration at registration@thearf.org
Membership questions click here
Sponsorship questions click here

Call for Content - Now Open

We invite submissions for our call for content that offer bold ideas, rigorous research, practical frameworks, and real-world case studies to help advance how our industry understands, measures, and reaches audiences in a rapidly changing media landscape.

All submissions are due October 30.

2027 Call for Content Topics: 

AI and the Future of Audiences: Definition, Discovery and Measurement
How does AI change our definition of target audiences? As AI becomes more deeply embedded in marketing, the key question is no longer just how marketers and agencies use it for insights, creative development, media buying, and advertising execution, but also how it is redefining audiences. AI-powered search, assistants, and autonomous agents can increasingly discover, evaluate, compare, recommend, and potentially purchase products on behalf of people. This creates a new layer between brands and consumers and raises fundamental questions about audience definition, visibility, measurement, and attribution. 

In August 2026, the IAB’s recent Measuring Visibility in the AI Era framework highlights the emerging challenge of evaluating brand presence and performance within AI-powered discovery, while also pointing to the need for greater consistency and rigor in measurement. With that in mind, we welcome research, strategies, tools, and case studies that help organizations understand and navigate this emerging environment, including but not limited to:

  • Examples of AI-mediated discovery and brand visibility, including how brands enter consideration sets and how presence, prominence, portrayal, credibility, and persuasion can be evaluated.
  • The changing definition of audiences, including how marketers distinguish human audiences, traditional non-human activity, and AI agents acting on behalf of consumers.
  • New approaches to targeting, measurement, attribution, and outcomes when AI systems increasingly influence or make decisions on behalf of consumers.

Consumers & AI: Changes in Creative and the Advertising Marketplace
There is a growing body of work examining how people do and do not respond to AI-generated creative. As AI makes it faster, cheaper, and easier to produce high-quality video and other media assets, it lowers barriers to entry and expands who can create and distribute content. This shift raises important questions about the business’s economics, the variety of material in the market, and the number and diversity of voices now able to participate. At the same time, it brings unintended consequences, including the spread of misinformation and other risks tied to the scale and speed of synthetic content. We welcome perspectives, evidence, and examples that help illuminate how audiences are responding to these changes and what they may mean for the future of media and marketing, including but not limited to:

  • Audience response and creative effectiveness, including the effects of AI-generated versus human-created content on attention, trust, persuasion, and brand outcomes. 
  • The changing economics and supply of creative, including implications for production costs, personalization, creative diversity, agencies, creators, and barriers to entry. 
  • The broader consequences of synthetic content, including authenticity, misinformation, copyright, consumer trust, and the potential for AI to change the volume and variety of advertising audiences encounter.

Strategies to Succeed in Today’s Multi-Media World 
We welcome evidence on what works across legacy channels, streaming, social video, creators, gaming, retail media, and emerging formats such as video podcasts. We are seeking planning and optimization approaches that address cross-platform reach and frequency, attention and engagement quality, creative fit to context, and the realities of walled-garden measurement. We also invite rigorous work on targeting and segmentation—based on income and life stage, observed behaviors, or psychological characteristics such as attitudes, motivations, and mindsets—that demonstrates in-market performance, validation, and responsible activation, including privacy and fairness. Especially valuable are:

  • Case studies, experiments, and measurement frameworks that illustrate how marketers make decisions when perfect data is unavailable.
  • What was measured, what trade-offs were made, how uncertainty was communicated, how causal claims and partner quality were evaluated, and how the results changed investment decisions. 
  • Submissions that link media, measurement, and targeting decisions to brand and business outcomes are especially encouraged.

Audience & Cultural Understanding
Marketing to diverse audiences now requires more than demographic segmentation—it demands cultural fluency, contextual awareness, and a clear understanding of how identity, values, and media behaviors intersect. We welcome submissions that identify best practices for inclusive marketing amid rising sociopolitical polarization, such as:

  • How brands navigate differences in race, ethnicity, gender, ideology, geography, and the media ecosystems people inhabit. 
  • Share frameworks and evidence that help teams balance authenticity and representation with brand safety and reputational risk, and that demonstrate what drives impact—on trust, relevance, and business outcomes—in today’s complex cultural landscape.

Media Quality: From Exposure to Impact
Reach and exposure remain fundamental to media measurement, but not all exposures are equal. As media environments become more fragmented, marketers increasingly need to understand the quality and potential value of an exposure, not simply whether an ad was delivered, but whether characteristics such as viewability, attention, context, environment, engagement, and other signals help explain differences in advertising effectiveness.

As attention measurement becomes more established and standardized, we invite submissions that move beyond familiar debates to show how attention can be defined, measured, and applied to improve decisions and outcomes. What does attention add beyond conventional exposure measures and other indicators of media quality? Under what circumstances does it predict meaningful outcomes, and can quality measures improve planning, buying, optimization, and media allocation? 

We welcome empirical research, experiments, cross-platform comparisons, case studies, and practical perspectives that help advance the industry’s understanding and application of media quality. Areas of interest include, but are not limited to:

  • Rigorous tests of when attention metrics do and do not predict real-world outcomes, such as sales, retention, loyalty, memory, creative quality, and long-term brand equity; and of how attention is operationalized in planning, buying, creative evaluation, optimization, frequency strategy, and media allocation
  • What attention data reveals about cumulative exposure, wear-in, and wear-out. 
  • Differences in media quality across platforms, formats, and environments, including TV, CTV, digital video, social, audio, OOH/DOOH, gaming, immersive environments, and emerging forms of media.
  • The relationship between quality, cumulative exposure, and frequency, including wear-in, wear-out, effective frequency, and the potential value of different types or sequences of exposure.
  • Submissions that identify limitations and blind spots—such as bias, validity, comparability, and privacy—and propose stronger frameworks, hybrid measures, standards, or complementary metrics are especially encouraged.

The Future of Video Currency and Cross-Media Accountability 
We welcome research and case studies on how privacy changes are reshaping identity and exposure measurement—shifting the industry from deterministic matching to privacy-first probabilistic approaches—and on the implications for accuracy, bias, and scalability. Submissions should examine:

  • Cross-platform partnerships between major data owners and independent measurement providers
  • What they enable, where they fall short, and how well results reconcile across sources. 
  • Practical, hybrid paths forward that combine panels, ACR, first-party and publisher data, and modeling to deliver credible deduplication, reach/frequency, and outcome linkage. 
  • Effective frequency across linear TV, CTV, digital video, and social platforms, distinguishing incremental from redundant exposures, and translating cross-platform frequency into meaningful campaign outcomes.

The 2027 Media Marketplace: Planning with Forecasts, Fragmentation and New Inventory 
As the media landscape becomes more fragmented and newer inventory continues to emerge, planners, sellers and marketers need practical, real-time marketplace intelligence to guide growth and governance. We’re seeking work that demonstrates how market forecasts, spending trends and channel performance data can inform smarter decisions about budget allocation, channel mix, upfront strategy, inventory packaging, product development and investment justification. We’re also interested in:

  • How organizations evaluate and manage emerging monetization opportunities, including non-endemic advertising, homepage and owned-property monetization, advertiser fit, sales-team decision rules, customer-experience risk, and the guardrails needed to ensure that revenue growth does not outpace brand strategy.
  • Topics may span TV, CTV, OOH/DOOH, social, digital video, mobile, gaming, programmatic and retail media, with an emphasis on translating complex market signals into clear planning, sales and monetization strategies.

How to Submit

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Speakers

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Who Should Attend?

C-Suite executives, senior and mid-career leaders and young professionals hailing from marketer, media, agency, research companies as well as academia will benefit from the breadth and depth of research shared. Industries include automotive, beauty, CPG, finance, food and beverage, hospitality, pharma, retail, and technology.

Ad Measurement
Ad Sales Research
Analytics and Insights
Audience Impact
Consumer Insights
Data Insights
Data Science
Digital Research
Marketing Analytics
Marketing Effectiveness
Marketing Science
Measurement
Media Analytics
Media Research
Research
Strategy

Board of Curators

AUDIENCExSCIENCE’s Board of Curators lends their insight and expertise to determine which submissions, entered during an industry-wide call for content, will be presented at the conference.   This committee includes all of the ARF’s member constituents — Research, Marketers, Media, Agency, and Association/Academics. 

 

Tracy Adams, Ph.D.
Advertising Research Foundation

Masa Aida
Applecart

Vassilis Bakopoulos
MMA

Aarti Bhaskaran
Snap

Terrie Brennan
Beatgrid

Colin Campbell
Journal of Advertising Research

Josh Chasin
Knot Simpler, Inc.

Shari Cleary

Tina DeSarno
MarketCast

Paul Donato
Advertising Research Foundation

Mike Follett
Lumen Research

Justin Fromm
Samsung Ads

Bharath Gaddam
DataPoem

Rouzbeh Gerami
Nielsen

Chip Godfrey
Analytic Partners

Vijoy Gopalakrishnan
Circana

Abhi Gupta
Google

Lisa Herdman
RPA

Helen Katz
Publicis Media

Tameka Kee
Coalition of Innovative Media Measurement

Taylor Locke
TVision

Jay Mattlin
Advertising Research Foundation

Carl Mela, Ph.D.
Duke University

Steven Millman
Dynata

Claudia Oberlin
Ipsos

Kara Pellegrino
PepsiCo

Lisa Pezzuto
Dotdash Meredith

Amy Rask, Ph.D.
MediaScience

Eric Sherman
GSTV

Aaron Slotnick
TransUnion

Keith Smith, Ph.D.
Marketing Science Institute (MSI)

Sunil Soman
Blue Moon Media Research

Alyson Sprague
Wondery

Horst Stipp, Ph.D.
Advertising Research Foundation

Rachel Sweet
St. Jude

Earl Taylor
Marketing Science Institute (MSI)

Michael Vinson
Comscore

Jon Watts
Coalition for Innovative Media Measurement

Jaclyn Williams
TikTok

Leslie Wood, Ph.D.

Matt Voda

Optimine

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Monica Wood

Herbalife

Pricing

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$1,199

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$1,399

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$699

$799

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$899

$999

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Related Content

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ARF Attention Measurement Validation Initiative: Phase 2 Report (2nd Edition)

Cross-Platform Measurement Options from an Agency Perspective

How to Calculate Reach and Frequency Using Virtual IDs (VIDs)

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